I’ve introduced a number of people to Doctor Who, but more often than not this process has been complicated by the fact that older episodes tend to be shown out of order, or in isolated clumps that make no sense if you’ve seen previous episodes.
Key: an exclamation mark indicates an episode that, regardless of its quality, adds important information to the overall story arc of the series in general. Each episode is marked W (Watch), S (Skip), or A (Avoid.)
Quickest Way In (New!)
If you want to jump in and be up-to-date for the newest episodes with the minimum amount of effort, you should watch:
- Blink (series 3)
- Silence in the Library/Forest of the Dead (series 4)
- The Waters of Mars (2009 specials)
- All episodes marked with a W (watch) in series 5
- All of series 6
The Russell T. Davies Era (2005—2010)
The original run of Doctor Who had been cancelled in 1989 following declining viewing figures, a general dislike amongst high-level BBC executives, and the fact that many of the stories and production aspects were suffering from a lack of imagination and a strained budget.
The show continued to enjoy a degree of cachet amongst cult television followers, and a surprisingly good 1996 British/American TV movie had been intended as a back-door pilot for a new series. The story, however, proved impenetrable to many viewers unfamiliar with the series’ past, and this combined with lacklustre marketing from Fox led to no additional stories being commissioned.
Attempts to make further films got in the way of attempts by BBC1 controller Peter Salmon to set the ball rolling on creating a new series, tentatively titled Doctor Who 2000, with Queer as Folk creator Russell T. Davies. Eventually, by 2003, Salmon’s successor as controller of BBC1, Lorraine Heggessey, had convinced BBC Worldwide that a new TV series would be a better success than another Doctor Who movie.
Doctor Who under Russell T. Davies as head writer and de facto “showrunner” premièred in March 2005 with Rose, introducing former kiddie-pop star Billie Piper as the titular companion, and Christopher Eccleston as the Ninth Doctor. Due to creative differences between Eccleston and the executive producers, he left the programme at the end of the first series, by which time it had already achieved a massive degree of popularity amongst young and old viewers alike.
With David Tennant of Casanova appointed as Eccleston’s replacement, Doctor Who went from strength to strength, re-igniting public interest in the franchise and even making a dent on the American sci-fi market (albeit not achieving the mainstream popularity it enjoys in the UK.) Tennant and Davies eventually left together after the season of extended “specials” in 2009, which marked the transition to a new production team and the first time Doctor Who was filmed in HD.
The Russell T. Davies (RTD or Rusty) era was marked by unashamedly large-scale plots, often with the fate of an entire planet, race or the whole Universe in the Doctor’s hands. Davies’s stories were also unashamedly character-driven, sometimes arguably at the expense of a plot that made sense. On the plus side, the stories were highly populist, and the production design, aided by advances in computer-generated imagery, showered the audience with an orgy of realistic worlds, warm colours and distinctly less laughable monsters. Davies’s era also introduced Murray Gold as the composer who would provide incidental music and the arrangement of the Doctor Who theme for the titles, and this is a position Gold holds to this day.
| # | Title | One-sentence review | Score | V |
|---|---|---|---|---|
| Series 1 (Christopher Eccleston as Doctor Who, Billie Piper as Rose Tyler) | ||||
| 1! | Rose | Lightweight, imperfect, but a great intro to the series. | 6 | W |
| 2! | The End of the World | Good SF-themed fling to the future. | 7 | W |
| 3 | The Unquiet Dead | Creepy and well-acted gas-lit ghost story. | 7.4 | W |
| 4! | Aliens of London | First two-parter; again, imperfect and has weak spots, but a passable Who story nonetheless. | 5.5 | W |
| 5! | World War Three | |||
| 6! | Dalek | Great intro to chilling pepperpot shaped Nazi. | 8.5 | W |
| 7! | The Long Game | Lacklustre turning point in series 1′s story arc. | 4.5 | S |
| 8! | Father’s Day | Emotional look at variation on the grandfather paradox. | 8 | W |
| 9! | The Empty Child | First genuinely atmospheric and supremely-plotted two parter from current showrunner Steven Moffat. With John Barrowman as Captain Jack Harkness. | 9.2 | W |
| 10! | The Doctor Dances | |||
| 11! | Boom Town | Deceptively superficial romp through Cardiff. | 4 | S |
| 12! | Bad Wolf | Flawed but good conclusion to Series 1 with Daleks, an android-hosted Weakest Link and a giant octopus. Introducing David Tennant as Doctor Who. | 7.9 | W |
| 13! | The Parting of the Ways | |||
| Series 2 (David Tennant as Doctor Who, Noel Clarke as Mickey Smith) | ||||
| X! | The Christmas Invasion | Shaky but bearable start for David Tennant’s Doctor. | 4.6 | W |
| 1! | New Earth | Surprising look at mortality and New New York. | 6.8 | W |
| 2! | Tooth and Claw | Three words: Queen Victoria; Werewolf. | 7 | W |
| 3! | School Reunion | Welcome return of late Lis Sladen as Sarah Jane Smith. | 7.3 | W |
| 4! | The Girl in the Fireplace | Touching time-meddling from Steven Moffat. | 8.8 | W |
| 5! | Rise of the Cybermen | Extremely well-set re-imagining of a classic Who villain with a new emphasis on mortality, alternate universes and cybernetic sci-fi horror. | 7.8 | W |
| 6! | The Age of Steel | |||
| 7 | The Idiot’s Lantern | Somewhat poor look at 50s Britain. | 2.8 | S |
| 8! | The Impossible Planet | The Devil appears in this densely-plotted, thick, atmospheric, tense story which introduces the Ood for the first time. Superb. | 9.1 | W |
| 9! | The Satan Pit | |||
| 10 | Love & Monsters | Somewhat dodgy “Doctor-lite” story. | 2.3 | A |
| 11! | Fear Her | Mediocre glurge set during the 2012 Olympic Games. | 4 | S |
| 12! | Army of Ghosts | Mawkish, goofy, but exceptionally tense and unusually tightly-woven farewell to Rose, featuring explosive action. Introducing Catherine Tate as Donna Noble. | 8.1 | W |
| 13! | Doomsday | |||
| Series 3 (Freema Aygeman as Martha Jones) | ||||
| X! | The Runaway Bride | Odd and entertaining Christmassy adventure. With Catherine Tate as Donna Noble. | 6.5 | W |
| 1! | Smith and Jones | Another adequately comic Russell T Davies-penned character intro. | 6.5 | W |
| 2 | The Shakespeare Code | Unusually playful and intelligent historical tale. | 7.4 | W |
| 3! | Gridlock | Dystopian return to the events of New Earth. | 7.7 | W |
| 4! | Daleks In Manhattan | Ill-conceived attempt to humanise the Daleks in New York. Has a nominal plot influence for the next series. | 5.2 | S |
| 5! | Evolution of the Daleks | |||
| 6! | The Lazarus Experiment | Decent mad-scientist commentary on death and decay. | 6 | W |
| 7! | 42 | Tense sci-fi thriller with dense moralism. | 7.7 | W |
| 8! | Human Nature | One of the highlights of David Tennant’s tenure as Doctor, a period story in which the Doctor ‘hides’ inside a Time Lord device and disguises himself as a human. | 9.5 | W |
| 9! | The Family of Blood | |||
| 10! | Blink! | Terrifying Moffat-penned ideas-driven SF enjoying well-deserved universal cachet. | 9.9 | W |
| 11! | Utopia | Sprawling, meticulously-filmed, shocking thriller that moves quickly from humble beginnings to apocalyptic events, effortlessly spanning trillions of years. The climax, however, will be love-it-or-hate-it. With Derek Jacobi as Professor Yana, John Simm as Harold Saxon, and John Barrowman as Captain Jack Harkness. | 6.2 | W |
| 12! | The Sound of Drums | |||
| 13! | Last of the Time Lords | |||
| CIN | Time Crash | Children in Need comedy special. Catch if you can. With Peter Davison as Doctor Who. | ||
| Series 4 (Catherine Tate as Donna Noble, Billie Piper as Rose Tyler) | ||||
| X! | Voyage of the Damned | Melancholic Poseidon Adventure remake. With Kylie Minogue as Astrid and Russell Tovey as Midshipman Frame. | 8.6 | W |
| 1! | Partners in Crime | Very goofy. With Bernard Cribbins as Wilf. | 7.5 | W |
| 2 | The Fires of Pompeii | Visceral story about changing the past on Volcano Day. | 7.2 | W |
| 3! | Planet of the Ood | Highly unexpected, excellent story with themes of slavery. | 8.8 | W |
| 4 | The Sontaran Stratagem | Somewhat lacking action-themed story re-introducing the Sontarans to the programme. With Freema Aygeman as Martha. | 4.5 | S |
| 5! | The Poison Sky | |||
| 6! | The Doctor’s Daughter | Occasionally mawkish but very clever tale set on a distant colony. With Georgia Moffett as Jenny. | 7 | W |
| 7 | The Unicorn and the Wasp | Definite “romp” status for this Agatha Christie-themed episode. | 5 | S |
| 8! | Silence in the Library | Another tremendously atmospheric and scary two-parter from Moffat. A library planet, deadly shadows, malfunctioning AI, simulated reality and a mysterious woman from the Doctor’s future. Idea-driven science fiction at its best. With Alex Kingston as River Song. | 10 | W |
| 9! | Forest of the Dead | |||
| 10 | Midnight | Extremely well-conceived psycho-thriller set on a bus. | 9.4 | W |
| 11 | Turn Left | Excellent acting from Tate bolsters this alternate-history story. With Billie Piper as Rose Tyler. | 8.9 | W |
| 12! | The Stolen Earth | Unashamed fanwank made a hundred times better than it deserves to be by a heartbreaking dénouement and a suitably menacing arch-nemesis. With Lis Sladen as Sarah Jane, Freema Aygeman as Martha, John Barrowman as Captain Jack, Billie Piper as Rose, and Julian Bleach as Davros. | 6 | W |
| 13! | Journey’s End | |||
| 2009 Specials | ||||
| 1 | The Next Doctor | Well-acted but ho-hum Victorian-themed hour-long cliché. With David Morrissey as the Other Doctor. | 6 | S |
| 2! | Planet of the Dead | A wormhole, a flying bus, and Lee Evans. Enough said. With Michelle Ryan as Lady Christina de Souza. | 6.5 | W |
| 3! | The Waters of Mars | Immediately launched the Specials, and Tennant’s Doctor, into darker territory. This story boldly retreads the changing-the-past storyline in a frightening and bleak sci-fi horror environment. The result feels like a flawed yet brilliant cross between Alien and Blake’s Seven. With Lindsay Duncan as Adelaide Brooke. | 9.5 | W |
| 4! | The End of Time | Mad, emotionally-charged and with a signature prolonged farewell, this adventure, featuring one of the Doctor’ most ancient nemeses and the fulfilment of the prophecy of the Doctor’s death. With Bernard Cribbins as Wilf, Catherine Tate as Donna, John Simm as the Master, Timothy Dalton as Rassilon, and introducing Matt Smith as Doctor Who. | 8.5 | W |
| 5! | ||||
The Steven Moffat Era (2010—date)
Steven Moffat took over the role of head writer from Russell T Davies with the first episode of Series 5, The Eleventh Hour. Moffat’s era has, so far, been dominated by a heavy reliance on “puzzle-box” style stories. The storytelling style has evolved from Davies’s loose story arcs to a tightly-woven “master plan” with critical details being spread over multiple episodes: a style that has, to all intents and purposes, succeeded thanks to the availability of the iPlayer, making it easier for casual viewers to catch up on missed episodes.
Matt Smith’s quixotic, bewitching Doctor is joined by Amy Pond, and her boyfriend (later husband) Rory Williams. The mysterious River Song, who first appeared in Silence in the Library/Forest of the Dead, becomes a recurring character.
| # | Title | One-sentence review | Score | V |
|---|---|---|---|---|
| Series 5 (Matt Smith as Doctor Who, Karen Gillan as Amy Pond.) | ||||
| 1! | The Eleventh Hour | Bombastic, charming welcome for Matt Smith’s Doctor. | 7.5 | W |
| 2! | The Beast Below | Mysterious wibblings aboard Starship UK. With Sophie Okonedo as Liz X. | 8 | W |
| 3 | Victory of the Daleks | Only worth it if you like the idea of iDaleks. | 3.5 | S |
| 4! | The Time of Angels | Atmospheric, terrifying successor to Blink! with a Weeping Angel hiding amongst catacombs filled with statues. With Alex Kingston as River Song. | 9.6 | W |
| 5! | Flesh and Stone | |||
| 6! | The Vampires of Venice | A lightweight romp through 16th-century Venice with sinister undertones. | 6.8 | W |
| 7 | Amy’s Choice | A bit like Inception, but without Lenny d’Apricot. | 7.8 | W |
| 8! | The Hungry Earth | Meat-and-veg Doctor Who with a rather dull space-opera styled plot. Ultimately given a much-needed kick up the arse by the ending. | 6.5 | W |
| 9! | Cold Blood | |||
| 10! | Vincent and the Doctor | Biggest shock of the series: funny, poignant and sweet Richard Curtis-penned historical drama. With Tony Curran as Vincent van Gogh. | 9 | W |
| 11! | The Lodger | Adequate “domestic” story set in Colchester. With James Corden as Craig. | 6.7 | W |
| 12! | The Pandorica Opens | Occasionally too clever for its own good, this fast-moving thriller is Moffat’s first series finale. An ancient historical artifact, graffiti from the beginning of time, and a love story spanning millennia. | 9.5 | W |
| 13! | The Big Bang | |||
| 2010 Christmas special (Sir Michael Gambon as Kazran Sardick, and Katherine Jenkins as Abigail.) | ||||
| X | A Christmas Carol | Beautiful, Christmassy homage to Dickens. A genuinely heartwarming festive fable. Wonderful. | 9 | W |
| Series 6/1 (Arthur Darvill as Rory Williams, Alex Kingston as River Song.) | ||||
| 1! | The Impossible Astronaut | Shocking from the outset, Steven Moffat’s brilliant introduction to Series 6 is exquisitely shot, with a disturbing new villain. With Mark Sheppard as Canton Everett Delaware III. | 10 | W |
| 2! | Day of the Moon | |||
| 3! | The Curse of the Black Spot | Pretty but mediocre swashbuckling and sirens. | 6 | S |
| 4! | The Doctor’s Wife | Simply perfect—high-concept, beautifully written, tight and whimsical joy from the pen of Neil Gaiman. With Suranne Jones as Idris/Sexy. | 10 | W |
| 5! | The Rebel Flesh | Somewhat wonky in execution, this feels like a waste of an excellent concept and the beautiful environment of an ancient castle fitted out with biotechnology. Has critical importance to future episodes, however, so cannot be missed. | 5 | W |
| 6! | The Almost People | |||
| 7! | A Good Man Goes to War | Ominous mid-season finale, with grand settings, creepy monsters and the big reveal—just who is River Song? With Frances Barber as Madame Kovarian. | 9.5 | W |
| Series 6/2 | ||||
| 8!! | Let’s Kill Hitler | Everything about it is awesome, outrageous, insane, quixotic madness. Big revelations, too. | 10 | W |
| 9 | Night Terrors | Unusually clever and sinister, let down by stupid mawkish resolution. | 7 | W |
| 10 | The Girl Who Waited | Rare, sublime, beautiful, desperately sad timey-wimey drama. With Imelda Staunton. | 10 | W |
| 11! | The God Complex | Creepy, The Shining-inspired psychodrama with religious undertones. | 8.5 | W |
| 12! | Closing Time | The return of Craig (The Lodger) in a mawkish yet plot-critical Cybermen story. | 7 | W |
| 13!! | The Wedding of River Song | Trademark Moffat finale: madness, blistering pace, answers hidden in plain sight, and yet more loose ends to bring us in to next series. All backed up by a superb performance from Matt Smith. | 10 | W |
| 2011 Christmas special (Claire Skinner as Madge, Maurice Cole as Cyril, and Holly Earl as Lily.) | ||||
| X! | The Doctor, the Widow and the Wardrobe | At any other time of the year I’d be tearing into this for a nonsensical plot, physics faux-pas and mawkish sentimentality. It’s Christmas, though, and the last five minutes are simply stunning. | 8 | W | Series 7 begins in Q3 2012 |

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Ummm, you just listed (almost) all of the NuWho episodes. How is that “essential”?
I’ve skipped over a few. I know there’s a lot there, but the annoying thing about NuWho is that it’s more arc-based.
I’ll have a go at a bit more chopping, but it’s practically impossible to avoid watching some of them because then you’ll be left with loose ends in later episodes. This looks like it’ll be even more of the case for Series 5 (although due to the fact that series 5, IMHO, has been more consistently high-quality overall, that shouldn’t be too much of an issue.)
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